A World Cup Under Pressure: How American Politics Could Shape FIFA 2026

20 January 2026

Paul Francis

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The FIFA World Cup is meant to be football’s great unifier. Every four years, politics is supposed to fade into the background as supporters cross borders to follow their teams. Yet as the 2026 tournament approaches, concerns are growing that the political climate in the United States may be doing the opposite.

Soccer ball with US flag design on grass field in stadium. Blurred crowd and scoreboard in background. Bright, sunny atmosphere.

Recent comments and policy signals from President Donald Trump have reignited anxieties among fans, organisers and civil rights groups. While football itself remains as popular as ever, the environment surrounding the tournament is becoming increasingly complicated, raising questions about travel, ticket sales and whether the world’s biggest sporting event can truly remain separate from domestic politics.

Politics enters the picture again

Donald Trump’s return to the centre of American politics has brought renewed focus on immigration, border enforcement and national security. His language around immigration has hardened, and his administration has signalled a tougher stance on visas and border controls. For many international football supporters, particularly those travelling from Europe, Africa and South America, this has raised uncomfortable questions.

Online, concerns have circulated about the visibility of immigration enforcement agencies and the risk of being caught up in aggressive border or visa checks. While some of these fears are undoubtedly amplified by social media, they are not appearing in a vacuum. Advocacy groups have formally raised concerns with FIFA about whether fans from certain regions will face additional scrutiny or barriers when travelling to the United States.

For some supporters, the idea of spending thousands of pounds on tickets and travel only to face uncertainty at the border is enough to pause or reconsider plans. It is here that the politics of Captain Orange begin to intersect directly with football.

Are ticket sales really struggling?

The picture around ticket sales is mixed and often misunderstood. FIFA has reported extremely strong global demand across several ticket application phases, with millions of requests submitted worldwide. On paper, this suggests the tournament is not in danger of empty stadiums.

However, critics point to a different issue. While demand exists, actual purchases appear uneven, especially at the higher price points. There have been persistent reports of slower sales for certain matches and categories, particularly among travelling supporters who are weighing cost against political and logistical risk.

In other words, the concern is not a lack of interest in football. It is hesitation. Fans are watching, waiting and calculating whether the experience will justify the expense and uncertainty.

The cost of attending the World Cup

Price is one of the most significant factors shaping that calculation. The 2026 World Cup is shaping up to be one of the most expensive in history.

The cheapest group stage tickets have been priced at around sixty dollars, but these are limited and often difficult to secure. More realistic prices for popular group matches run into the hundreds, with premium seats climbing well above two thousand dollars.

Knockout rounds are another level entirely. Quarter final and semi final tickets can cost several thousand dollars, while premium seats for the final in New Jersey have been listed at over six thousand dollars at face value. On secondary markets, prices can climb even higher.

For many fans, particularly from Europe and South America, these figures sit alongside the cost of long haul flights, accommodation and internal travel across a vast host country. The result is a World Cup that feels financially distant from the traditional supporter.

Travel, visas and fear of uncertainty

Beyond cost, travel logistics are adding another layer of anxiety. The United States is hosting the majority of matches across a geographically enormous area. Fans may need to fly thousands of miles between cities, navigate unfamiliar transport systems and deal with complex visa requirements.

Recent tightening of visa rules and public rhetoric around immigration enforcement have not helped perceptions. Reports of fans from African nations struggling with visa delays or rejections have circulated widely, even if they do not represent the majority experience.

The problem is not necessarily policy itself, but uncertainty. When supporters feel unclear about how they will be treated on arrival, or whether rules may change suddenly, confidence erodes.

Other pressures on the tournament

The political environment is only one of several pressures facing the 2026 World Cup. Stadium readiness, security planning, climate concerns and the sheer scale of the expanded tournament all present challenges.

The United States is not a traditional football nation in the way Europe or South America is. While interest has grown rapidly, there are still questions about atmosphere, cultural familiarity and whether the event will feel like a World Cup rather than a series of high end entertainment events.

There is also a growing debate about whether FIFA’s commercial strategy is distancing the tournament from its roots. High prices, premium experiences and corporate packages may deliver revenue, but they risk sidelining the fans who give the World Cup its character.

A tournament caught between sport and state

None of this means the 2026 World Cup is doomed. Far from it. The global appetite for football remains immense, and millions will watch and attend regardless of political context. But it does suggest that the tournament is unusually exposed to forces beyond the pitch.

When the host nation’s political leadership becomes a source of anxiety rather than reassurance, it inevitably shapes perception. When attending feels like a financial gamble layered with political risk, some supporters will hesitate.

The World Cup has always existed within the world it inhabits. In 2026, that world includes heightened political tension, polarised leadership and rising costs. Whether football can rise above those pressures, or whether they will leave a lasting mark on the tournament, remains one of the most important unanswered questions heading into kick off.

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In the glittering world of Hollywood, not all dreams make it to the silver screen. Some projects, despite their enormous potential and the star-studded talent attached to them, remain forever in the realm of "what could have been." Among these are some of the most intriguing and ambitious films never made, each with its own unique story that has captivated the imaginations of fans and filmmakers alike. From Alejandro Jodorowsky’s psychedelic epic to George Miller’s ambitious superhero ensemble, these unproduced films offer a glimpse into alternate cinematic realities.

Jodorowsky's Dune: The Psychedelic Epic

Jodorowsky's Dune stands out as perhaps the most legendary of these unfinished projects. In the mid-1970s, avant-garde filmmaker Alejandro Jodorowsky embarked on an audacious quest to adapt Frank Herbert’s science fiction masterpiece, "Dune." His vision was nothing short of revolutionary, intending to create a 10-14 hour cinematic experience that would transcend traditional film and become a transformative journey for viewers. Jodorowsky assembled an extraordinary team, including surrealist artist Salvador Dalí, Orson Welles, Mick Jagger, and H.R. Giger, with a soundtrack by Pink Floyd. Despite the staggering talent and creativity involved, the project was ultimately deemed too ambitious and costly. Financial and logistical issues, combined with Hollywood's reluctance to back such an unconventional vision, led to its demise. The story of "Jodorowsky’s Dune" was later immortalised in a 2013 documentary, offering a fascinating look at what might have been and showcasing the profound influence it had on future science fiction films.

The Man Who Killed Don Quixote: A Dream Delayed

The Man Who Killed Don Quixote concept art piece

Equally compelling is Terry Gilliam’s "The Man Who Killed Don Quixote." Gilliam, known for his work with Monty Python and his uniquely surreal directorial style, spent nearly three decades attempting to bring this project to life. The film, a loose adaptation of Miguel de Cervantes’ classic novel, faced an extraordinary array of setbacks. The initial production in 2000 was plagued by natural disasters, financial issues, and a severe back injury suffered by lead actor Jean Rochefort. These calamities, captured in the documentary "Lost in La Mancha," halted the project, and subsequent attempts to revive it faced similar challenges. It wasn’t until 2018 that Gilliam finally completed the film, though it differed significantly from his original vision. The journey of "The Man Who Killed Don Quixote" remains a testament to artistic perseverance, highlighting the often tumultuous path from script to screen.

Atuk: The Cursed Comedy

"Atuk," based on Mordecai Richler’s novel "The Incomparable Atuk," has earned its place in Hollywood legend due to the so-called "Atuk curse." This comedy about an Inuit navigating the modern urban jungle was attached to several high-profile actors, each of whom died under tragic and unexpected circumstances before production could begin. John Belushi, Sam Kinison, John Candy, and Chris Farley all expressed interest or were cast in the lead role, only to meet untimely deaths. The eerie pattern of misfortune has led to a macabre fascination with the project, ensuring that "Atuk" remains one of the most infamous unproduced films in history.

Batman: Year One: The Dark Reimagining

Concept of Gotham City as seen from Above

In the realm of superhero cinema, Darren Aronofsky’s "Batman: Year One" represents a radical departure from the traditional portrayals of the Dark Knight. Aronofsky, known for his dark and psychologically intense films, envisioned a gritty reboot of Batman that would strip the character down to his essence. This version of Bruce Wayne would lose his fortune, live on the streets, and don a makeshift costume. Despite the intriguing premise, Warner Bros. ultimately chose a different path, opting for Christopher Nolan’s "Batman Begins," which balanced realism with a more traditional narrative. Aronofsky’s bold vision remains a fascinating "what if" scenario, reflecting the creative risks involved in reimagining iconic characters.

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The Allure of the Unmade

These unproduced films, each with their unique blend of ambition, talent, and misfortune, offer a tantalising glimpse into the alternate realities of cinema. They stand as reminders of the fragile nature of filmmaking, where even the most promising projects can falter and fall into the realm of legend. Yet, their stories continue to inspire, serving as both cautionary tales and sources of endless fascination for those who dream of what might have been.