Has World War 3 Already Begun? Examining Zelensky’s Claim, Global Conflict Expansion and the Economic Fallout of Modern War

24 February 2026

Paul Francis

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Ukrainian President Volodymyr Zelensky has stated that Russia has “already started” World War 3, arguing that the conflict in Ukraine is no longer a contained regional war but part of a much wider global confrontation. The comment has triggered debate, scepticism and concern in equal measure.

Rusty, destroyed tank on a muddy street lined with bare trees. Distant construction vehicles and workers are visible under a cloudy sky.

At first glance, describing the Russia–Ukraine war as World War 3 sounds like political hyperbole. Historically, a world war involves multiple major powers formally fighting each other across multiple theatres. NATO forces are not in direct combat with Russia, and there are no formal declarations of war between global blocs. On those grounds alone, many analysts would reject the label.

However, a more serious question sits underneath the headline. Could the conflict already function globally in ways that resemble a systemic world war, even if it does not meet the classic twentieth-century definition? When you look at geopolitical involvement, proxy support and economic disruption, the picture becomes more complex.

Why Zelensky Is Framing It This Way

Zelensky’s language is not accidental. It serves both as a warning and as a strategic message to allies. He has repeatedly argued that Russia’s ambitions extend beyond Ukraine, and that failing to stop Moscow now risks broader instability in Europe and beyond.

From Kyiv’s perspective, two realities support that argument.

President Volodymyr Zelensky in black attire sits on blue chair holding papers, numbered "001," with a microphone nearby. Background shows blurred figures in suits. — Image by Le Commissaire

First, multiple external state actors are materially involved. Russia has received military equipment and support from Iran and North Korea. Iran has supplied drones that have been used extensively in strikes on Ukrainian infrastructure. North Korea has reportedly provided artillery ammunition and other military assistance. China has not directly entered the conflict, but it has maintained significant economic ties with Russia and continues to play a major role in global trade dynamics connected to the war.

Second, the consequences of the conflict are not limited to Eastern Europe. Dozens of countries are tied into the war through military aid, sanctions, intelligence sharing, or trade realignments. When nations across continents are financing, arming or economically isolating one side or the other, the conflict begins to take on a broader character.

That does not automatically make it a world war. But it does challenge the idea that this is a purely regional dispute.

A Web of Conflicts and Proxy Involvement

Modern warfare rarely resembles the declared total wars of the past. Instead, it is often fragmented, multi-layered and interconnected.

The Russia–Ukraine war sits within a wider environment of global tension. Conflicts in the Middle East, instability in parts of Africa, rising tensions in the Indo-Pacific and ongoing geopolitical rivalry between major powers create a backdrop that feels less like isolated crises and more like a shifting global fault line.

When states supply weapons, ammunition and strategic resources to opposing sides in conflicts, even indirectly, it introduces elements of proxy warfare. When sanctions regimes divide the global economy into competing blocs, economic rivalry starts to mirror political confrontation.

In that sense, Zelensky’s statement may be less about tanks crossing borders and more about the architecture of global alignment that is forming around this war.

The Global Economic Dimension

If there is one area where the argument gains measurable weight, it is economics.

The Russia–Ukraine war has had profound global economic consequences. Commodity markets were shaken early in the conflict. Energy prices surged. Agricultural exports were disrupted. Countries far from the battlefield experienced rising costs for food, fuel and raw materials.

This was not a temporary ripple. It triggered sustained inflationary pressure in many economies and forced governments and central banks to adjust policy. Energy-importing nations had to find new suppliers. Trade routes were reconfigured. Entire sectors were forced to reassess sourcing strategies.

Steel and industrial metals provide a useful example. Russia and Ukraine both play roles in global metallurgical supply chains. Disruptions to production and exports have contributed to price volatility and market uncertainty. When steel prices rise or become unstable, industries such as automotive manufacturing feel the impact. Car manufacturers depend on predictable input costs. When materials fluctuate sharply, production planning becomes more difficult, and margins are squeezed.

Molten metal is being poured into a container in a fiery, industrial setting. Bright orange and yellow sparks fill the air. — Conflicts have increased global steel prices

At the same time, defence spending has risen sharply in Europe and elsewhere. Industrial capacity is being redirected towards military production in several countries. That shift not only affects weapons manufacturers. It influences labour markets, raw material demand and public spending priorities.

Sanctions add another layer. Restrictions on Russian energy, technology and financial flows have reshaped global trade patterns. European nations have reduced reliance on Russian gas. Liquefied natural gas markets have tightened. New energy partnerships have formed. These are structural changes that may last decades.

When war reshapes global energy flows, industrial inputs, inflation rates and government budgets, its impact is not confined to the battlefield.

Is This Enough to Call It World War 3?

Under a strict historical definition, the answer is still no. Major global powers are not directly fighting one another in open warfare across multiple continents. Alliances have not formally declared war against each other.

But if the term is used to describe a systemic global confrontation that involves military, economic and geopolitical dimensions spanning continents, the argument becomes harder to dismiss outright.

The Russia–Ukraine war involves multi-national support networks, sanctions regimes that divide global markets, industrial reorientation towards defence, and economic shocks that reach households thousands of miles from the front line.

That does not make it World War 3 in the classic sense. It does suggest that modern conflict can generate world-scale consequences without traditional declarations.

Zelensky’s statement may be rhetorically charged. Yet when you examine the geopolitical alignments, proxy involvement and economic transformation underway, it becomes clear why he frames it in those terms.

Whether history will eventually classify this period as the early stage of a broader global conflict remains unknown. What is certain is that the war in Ukraine has already reshaped global politics and economics in ways that extend far beyond its borders.

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The Lost Legends of Cinema: Films That Never Came to Be

Connor Banks
Aug 12, 2024
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In the glittering world of Hollywood, not all dreams make it to the silver screen. Some projects, despite their enormous potential and the star-studded talent attached to them, remain forever in the realm of "what could have been." Among these are some of the most intriguing and ambitious films never made, each with its own unique story that has captivated the imaginations of fans and filmmakers alike. From Alejandro Jodorowsky’s psychedelic epic to George Miller’s ambitious superhero ensemble, these unproduced films offer a glimpse into alternate cinematic realities.

Jodorowsky's Dune: The Psychedelic Epic

Jodorowsky's Dune stands out as perhaps the most legendary of these unfinished projects. In the mid-1970s, avant-garde filmmaker Alejandro Jodorowsky embarked on an audacious quest to adapt Frank Herbert’s science fiction masterpiece, "Dune." His vision was nothing short of revolutionary, intending to create a 10-14 hour cinematic experience that would transcend traditional film and become a transformative journey for viewers. Jodorowsky assembled an extraordinary team, including surrealist artist Salvador Dalí, Orson Welles, Mick Jagger, and H.R. Giger, with a soundtrack by Pink Floyd. Despite the staggering talent and creativity involved, the project was ultimately deemed too ambitious and costly. Financial and logistical issues, combined with Hollywood's reluctance to back such an unconventional vision, led to its demise. The story of "Jodorowsky’s Dune" was later immortalised in a 2013 documentary, offering a fascinating look at what might have been and showcasing the profound influence it had on future science fiction films.

The Man Who Killed Don Quixote: A Dream Delayed

The Man Who Killed Don Quixote concept art piece

Equally compelling is Terry Gilliam’s "The Man Who Killed Don Quixote." Gilliam, known for his work with Monty Python and his uniquely surreal directorial style, spent nearly three decades attempting to bring this project to life. The film, a loose adaptation of Miguel de Cervantes’ classic novel, faced an extraordinary array of setbacks. The initial production in 2000 was plagued by natural disasters, financial issues, and a severe back injury suffered by lead actor Jean Rochefort. These calamities, captured in the documentary "Lost in La Mancha," halted the project, and subsequent attempts to revive it faced similar challenges. It wasn’t until 2018 that Gilliam finally completed the film, though it differed significantly from his original vision. The journey of "The Man Who Killed Don Quixote" remains a testament to artistic perseverance, highlighting the often tumultuous path from script to screen.

Atuk: The Cursed Comedy

"Atuk," based on Mordecai Richler’s novel "The Incomparable Atuk," has earned its place in Hollywood legend due to the so-called "Atuk curse." This comedy about an Inuit navigating the modern urban jungle was attached to several high-profile actors, each of whom died under tragic and unexpected circumstances before production could begin. John Belushi, Sam Kinison, John Candy, and Chris Farley all expressed interest or were cast in the lead role, only to meet untimely deaths. The eerie pattern of misfortune has led to a macabre fascination with the project, ensuring that "Atuk" remains one of the most infamous unproduced films in history.

Batman: Year One: The Dark Reimagining

Concept of Gotham City as seen from Above

In the realm of superhero cinema, Darren Aronofsky’s "Batman: Year One" represents a radical departure from the traditional portrayals of the Dark Knight. Aronofsky, known for his dark and psychologically intense films, envisioned a gritty reboot of Batman that would strip the character down to his essence. This version of Bruce Wayne would lose his fortune, live on the streets, and don a makeshift costume. Despite the intriguing premise, Warner Bros. ultimately chose a different path, opting for Christopher Nolan’s "Batman Begins," which balanced realism with a more traditional narrative. Aronofsky’s bold vision remains a fascinating "what if" scenario, reflecting the creative risks involved in reimagining iconic characters.

Justice League: Mortal: The Superhero Ensemble That Almost Was

Finally, George Miller’s "Justice League: Mortal" was an ambitious attempt to bring together DC Comics' most iconic superheroes in a single film long before the success of the Marvel Cinematic Universe. With a cast that included Armie Hammer as Batman, D.J. Cotrona as Superman, and Megan Gale as Wonder Woman, the project promised a sprawling, epic narrative. However, it was plagued by a series of setbacks, including the 2007-2008 Writers Guild of America strike, financial issues, and concerns over audience confusion due to multiple actors playing the same characters in different franchises. Despite never being made, "Justice League: Mortal" has become a source of endless speculation and interest, illustrating the complexities and challenges of launching a shared cinematic universe.

The Allure of the Unmade

These unproduced films, each with their unique blend of ambition, talent, and misfortune, offer a tantalising glimpse into the alternate realities of cinema. They stand as reminders of the fragile nature of filmmaking, where even the most promising projects can falter and fall into the realm of legend. Yet, their stories continue to inspire, serving as both cautionary tales and sources of endless fascination for those who dream of what might have been.